Wednesday, 15 December 2010

IKEA Gingerbread House

Just got an email from IKEA saying I was a winner in their IKEA decorate-and-win competition! How cool is that?




















I had great fun making this Gingerbread house , so I thought I’d share how I constructed it. First, I purchased 2 gingerbread houses from IKEA and made cardboard templates from the gingerbread pieces.
Then I worked out how to cut up the pieces to make an L-shaped cabin, calculating which gingerbread pieces had to be reshaped





This piece was cut out to accommodate the wall of the adjoining room

 The roof of the adjoining room had to be angled accurately to align with the other roof 
 





 Putting the walls together on the 'main' room. The walls were joined with royal icing and supported with wooden blocks at 90 degrees till dried

The second wing of the house was made with smaller (cut to size) walls. The chimney was constructed with 3 V pieces and one 'straight' piece


 





 Melted Isomalt (imitation sugar compound) for the windows

Isomalt set on marble to dry and then transferred to the windows of the building









Isomalt window in place (seen from the inside)










3-D Christmas Trees made with gumpaste, and decorated with dragees









Snow and edible glitter added for effect








Cake board covered with fondant, textured with woodgraining tool, then marked into 'planks' and set onto a board raised on feet







Gingerbread house constructed and set onto textured and elevated board









 
Larger base board covered in fondant and textured to create pebble path and grass







Wood-graining effect finished around deck. Railing, door and stairs added, and colouring completed on grass and pebble path










View from the front, with royal icing and fondant 'pollen' replicating snow









Santa modeled out of fondant and gumpaste, is stuck in the chimney







Close up of the front with Christmas Trees












Close-up of the stairs







The Christmas Tree at the side of the house



Looking in the window from the outside









The front door of the house is standing open








 The finished snow-capped house





























Tuesday, 5 October 2010

Perth Royal Show

And so the saga continues! For those who followed the storyline on Cake Decorators ... Buck up or Buck out, read on.

It all began, as I started to ponder what to create for the Perth Show. Hours spent studying the show schedule online before it even got to hard copy print, and, many hours Googling, Flickring and Facebooking searching for inspiration. The one cake I kept coming back to again and again, was this one: Ice Diamond from Cake Chester in the UK. At first I couldn't work out why I was so in love with the cake. Grey is not a colour I would normally 'go for', but the more I studied it the more I loved this cake. Now, normally, when I see someone else's work, I get inspired to build on one idea or feature, and eventually it came to me ... it's that stunning pillar that I simply must have.

Thus I embarked on mission impossible: find a gorgeous pillar like the one in the Ice Diamond cake, and find it in Perth. And of course, make it comply with the Show Schedule .... amongst other things, no glass components permitted. "You want a WHAT 'mam? ... and you say you want this for a wedding cake?" says incredulous shop assistant after incredulous shop assistant! Suffice to say, I purchased several items before I found THE ONE at a little gift shop in Ocean Keys. My husband's daughter, Lynda, is quick to remind me that it was she who took me there and was with me when the said item was purchased!

Classically elegant. Timeless. But most importantly, not glass. Yes, it looked like marble, but is actually plastic and resin. Yep, that was THE ONE.

Now I had to set about designing a cake based on this gorgeous thing. And again, it had to comply with the competition schedule, which called for "a creative 3 tier wedding cake ... the design to feature 3 different shape cakes".  It didn't take long to work around the design of the chosen separator, and I settled on an octagonal base cake, to match the base of the separator. Middle tier followed the theme and was a simple round column cake. And the top tier, well that had to be curved to finish the theme.

As I've learned (as both a competitor and a judge) you can use styrofoam (where the rules allow for it) on cakes that are 'traditionally' cake. So square, round and octagonal ... no problem. But curved? Well (pardon the pun), that's another ball game! Hence, cake is called for ... or at least you must be able to prove that it's possible to use cake. So, step one: search high and low for a ball shaped tin; find one on the internet, and buy it. Step two: bake a ball shaped cake! Yes, make sure it's a fruit cake if the rules specify fruit cake!  Then cut a smallish slice off the top of the cake, tilt it on it's side and drill a hole right through the cake.

Next, I had to create a posy pick to hold the floral arrangements. I soon realised them commercial things would simply NOT do. They're only about 5 - 10 mm diameter, and I had this vision of a large arrangements of flowers cascading down that luvverly pillar. So, I resorted to a piece of PVC pipe. (Actually I sacrificed a cake roller that has seen 2 decades of trusty use), and sawed off the end of it. Then cut it at an angle and covered it with cake board paper. Insert it into the hole in the cake.

After covering with fondant, came the fun part ... adding those now infamous Rice Krispie Treats! I wanted to have more of a curve to the ball, and so I sculpted out some 'wings' with the RKT. It took quite a bit of fiddling to sculpt them on, and eventually shaving some off till I was happy with the shape.
 
Then came the shock news that my carefully sculpted RKT vase had to go! Well, at least the RKT had to go. Eventually I plucked up the courage to attack it, and off it came. I confess approaching the process in fear and trepidation, as I was worried about breaking it all, but to my surprise the RKT chipped off relatively easily and I was back at the drawing board, but out of inspiration for any other 'creative shape' for the 3rd tier.  So, the topless, tilting ball remained.

Next stage was to design the board and base tier. So, I started with a paper template of a square, 16.5 inch,  folded it in four to determine the centre, and then traced around the base of the separator. Next stage was to draw a line out from the cut off corners of the base to the edge of the paper template. In this way I could easily map out size of the corners to be cut off the board, and of the base cake (which started out as an 11" square).

Then, to construct the board, which I wanted to be "as strong as an ox, but as light as a feather" This called for engineering from handy hubby. We used 2 sheets of 3mm MDF, and cut them to the exact shape of the template. The trick was to separate the MDF with a thin piece of wood (20 mm) around the edges to create the depth of board I wanted. So, other than a small piece of support wood in the centre, the board is hollow. The hardest bit was getting the corners of the hexagon mitred to the correct angle. Then 4 bits of round wood from Bunnings glued and screwed in at the corners continued the theme of the separator base. A couple of coats of black paint to seal, and then ito simulate the antique effect of the separator, I drag painted with a dryish brush using silvery/gold paint. And finally a large dowel smack up the middle.

The next tricky stage was colour matching the fondant to the marble colour on the separator. A bit of this, a bit of that. A bit more of this, a bit more of that. Ivories, greys and greens. And I had to make enough to cover all three tiers of the cake! Then finally, the marbling effect. What I've found is that you generally need the teeniest amount of marbling colours. Much less than you think you'll need. If you use too much, the marbling loses it's subtlety. So I probably mixed up around 2 - 3 kg of fondant in the base colour, and used about a marble size each of peach and charcoal grey to achieve the marbling.
 
All three tiers covered, and then a coat or three of very expensive Fabilo spray-on edible glaze finished the marble effect. All I then needed to do was to thread the whole creation through the dowel, secure the ball with royal icing and add the flowers: roses, hydrangeas, tuberoses, ivy and eucalyptus. What I didn't bargain on what just how tall the thing would be, and found myself needing a small ladder to insert the stems into the giant 'posy pick'. Well that, and the difficulty of getting them in and fiddling with their placement without breaking them. And break lots, I did!!

The trim  I made to match the trim on the separator. I copied several of the designs and incorporated different ones on each tier. They are just black fondant, drag painted using a blend of Squires gold and silver edible metallic dust. 

But that wasn't the end of the story. The final drama came when we tried to load it into the car to transport to the Show. Eeeek! the cake stood 960 mm tall, and the clearance on my car and that of my husband's was nowhere near big enough to accommodate the cake! This called for some last minute panic phone calls and finally a borrowed Jeep Cherokee to transport said item to the Perth Royal Show (and back again)

Was it all worth it? You betcha!! I not only picked up the first prize for my creation, I also won the special award for "the most outstanding wedding cake on the show". Hope you all like it. Here it is:


Monday, 4 October 2010

Ponder-ingz

This is definitely the best article I've seen about the frustrations of a cake artist, whose customers want us to serve them Ritz, but pay us the pitz! Check it out

Cake Decorators ... Buck up or Buck Out ... the Rice Krispie Treat saga!

Perth Royal Show Marble and vase cake with roses, hydrangeas, tuberoses, ivy and eucalyptus tutorial

IKEA Gingerbread House tutorial

Friday, 6 August 2010

Cake Decorators ... Buck up or Buck out!

Some forty years ago, when at the age of 11, I started obsessing with cake decorating, anybody who was anybody in cake decorating was an author ... and the books consisted of various techniques in royal icing. There was piping, filigree, bridge and extension work. There were piped flowers done on flower nails, and fruit cakes were covered in royal icing ... which dried as hard as rock. There was no fondant icing, only 'Americans' used buttercreme, and communication was, well, by snail mail. BUT, back then if you wanted a state of the art, customised cake, you called on a cake decorator. We knew the 'secrets' of cake decorating and you were assured of a spectacular creation. Back then, bakeries were providing the 'low budget' cheapies. You know, the cakes that us decorators looked down our nose at.

Fast track four decades. Who's who in cake decorating now? Well anybody who's anybody is an author. In no particular order: Lindy Smith. Alan Dunn. Colette Peters. Debbie Brown. Nicholas Lodge. Jill Maytham. Kerry Vincent. The list goes on. All worthy of our admiration.

So what has prompted me to put opinion to blog on this issue? Well, tonight I attended our local cake decorators club meeting, and learned that we may not use Rice Krispie Treats for cake sculpting in the Perth Royal show. "You must use fruit cake, check the schedule" said a judge. But, I contended, the schedule states "the majority of the entry" (that's 51% or more when last I checked my dictionery) must be fruit cake. To maintain edible components the rest of the world is sculpting with, well, Rice Krispie Treats. But this is not an AMERICAN show said our esteemed judge. Now don't get me wrong, I'm not knocking judges ... after all, I trained as a judge in New Zealand.

So what the heck has happened? What's changed? Driving home I mulled it over. So much has changed. Now we have Ready to Roll fondant icing ... pick a brand, any brand. Stacks to choose from. Bakels, Regal Ice, Orchard, Satin Ice, Fondx, marshmellow fondant ... you get the idea. We have gumpaste, modelling paste and wired flowers. We have edible jewels, and anything you can imagine to cut, sculpt or create edible decorations. Stainless steel cutters, plastic cutters and silicone moulds. Clay guns. And we can get it anywhere we want it. JEM Cutters. Lindy Smith. Geraldine Randlesome. FMM. Squires. Designer Stencils. And we can buy it direct. Or we can buy it from a myriad of suppliers. Over the internet. sugarcraft.com, globalsugarart and caljavaonline to mention but 3 of my faves. And then, there's E-Bay and Trademe.

Hmm rethink who's who. The best decorators now are ... facebooking-blogging-reality TV-YouTubing-bakers. Ron Ben Israel. Duff Goldman. Greg Cleary. Petalsweet cakes. Again, the list goes on. All totally worthy of our admiration. Gone are the days that the heroes of cake decorating 'only wrote books'. Now I can interact with my heroes. I can chat with them on their blogs, their facebook pages and on Flickr forums. And I can do it with my laptop on my lap via my wireless network while watching my 50" plasma.

So it occurs to me that those who are taking our art form to new heights, are the people who are stretching the boundaries. They are the ones challenging us to new levels of excellence.

And this leaves me thinking that us cake decorators better buck up or buck out. If we stubbornly demand the sale of fruit cakes (the bride wants white chocolate and macadamia); round cakes (the bride wants it hanging upside down from the ceiling) and only edible components (the bride wants bling), we run the risk of being left behind in the dust asking 'what the heck happened'? It's true ... this is not an American world down under in Perth. It's a GLOBAL world!